
Indie Film Color Grading Software
Don't spend hours editing. We speed up your Premiere Pro and DaVinci Resolve workflow by 96% for uniform studio product shots and films.
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*No credit card required
Pick a look
Or bring your own
AI Profiles by Imagen
Professionally trained looks, adapted clip by clip across your footage

Motion of Light
Brightens your footage with strong contrast and vivid colors.

Frame One
Keeps brightness natural with deep contrast and accurate colors.

True to Life
Softens highlights for a dreamy feel with balanced contrast.
Have your own signature look?
Upload your LUTs and Imagen will adapt them across your entire timeline.

Professional results that speak for themselves

The difference you’ll feel on a Friday afternoon
Speed up your studio workflow
Match your Premiere Pro and DaVinci Resolve workflow overnight. We built Imagen as your indie film color grading software, so you'll process 1,000 studio portraits in minutes.


Keep every product shot uniform
You don't have to worry about matching 10 different photographers, lighting setups, or cameras. Your AI Profile brings AI color grading for indie film production to your product shoots.


Used by editors who got their weekends back
“I was blending shots from different cameras. Imagen blended everything well together. It’s almost too easy”
“Wow. The color correction turned out much better than I expected. Thank you for creating this.”
“I love this software. Cut down my coloring time to mere minutes.”
“I was blending shots from different cameras where student workers used different settings- one in Log, one in auto color.”
“I’ll shoot interviews with two or three cameras, all Sony, using Sony glass- but they never match perfectly.”
“This was great! Nearly spot on in terms of exposure, shadows, highlights, blacks, etc.”
Launch rate
Simple plans.Serious results
Good color used to cost a fortune in time. This doesn’t.
Pay-As-You-Go
Launch rate
No commitment. Just process minutes when you need them.
US$1/minute
Invoiced monthly
No base fee. Pay only for the minutes you process.
Start for free- Grade any project, pay only for what you use
- Full access to AI Profiles and LUT-based grading
- Perfect for project-based work
- Cancel anytime
Best value
Starter Pack
Launch rate
For editors with consistent workloads. Grade more, pay less per minute.
US$30/month
Includes 50 minutes
Extra minutes for just US$0.60 / min (Save 40%)
Start for free- Unused minutes roll over
- Full access to AI Profiles and LUT-based grading
- Best per-minute rate
- Cancel anytime
Bigger teams.
Smarter rates.
Talk to us
* Custom pricing
Contact sales- Better rates as your team grows
- Every editor on one account
- One invoice. Zero admin headaches
- Dedicated account support
You’re probably wondering...
What is the standard workflow for studio and product photographers editing when dealing with both stills and video?
The standard workflow bridges the gap between your still images and your motion picture campaigns. You keep complete control over the final look across all your media. When you shoot a product campaign in the studio, you want the video clips to match the exact tones of your photographs. You start by dialing in the perfect look for your subject against the background in your still editor. Then you bring that same aesthetic into Premiere Pro and DaVinci Resolve. We built Imagen to help you match those looks instantly. Using AI color grading for indie film production and product videos saves you hours of manual tweaking. You get to apply your unique style to moving footage without learning a completely new color science. Think of it as a bridge between your still camera and your cinema rig. You cut your post-production time by 80% because you don't have to recreate the wheel for every single video clip. Your subject looks crisp, your background tones remain consistent, and your clients get a cohesive package. Finding reliable indie film color grading software makes this transition smooth. You deliver perfect campaigns faster.
How does batch processing work for product campaigns across different lighting setups?
Batch processing applies your specific color profile across hundreds of files in minutes. You get consistent results whether you shoot a single product or a massive catalog. When you work in a controlled studio environment, your lighting still shifts slightly between shots. Our AI analyzes each frame to keep the exposure and color balance locked in on your subject. This means the white background stays purely white and your product colors remain perfectly accurate. If you also shoot motion elements, you bring those same batch capabilities into Premiere Pro and DaVinci Resolve. You apply your custom look across an entire timeline of video clips at once. This works exactly like a robust indie film color grading software. You don't waste time copying and pasting attributes to individual clips. You process 1,000 images or a full timeline of video in a fraction of the time it takes to do it manually. You review the results, make minor tweaks to the subject or background, and export the final files. You stay completely in control of the creative decisions while the software takes care of the repetitive heavy lifting.
Is this different from manually adjusting colors in Photoshop or Premiere Pro?
Yes, because you train the AI to understand your personal editing style instead of starting from scratch every time. You get your life back instead of spending endless nights dragging sliders. Manual editing requires you to isolate the subject from the background repeatedly to fix minor color shifts. Imagen learns how you handle those specific studio adjustments and applies them automatically. When you move into video work, the process remains just as efficient. Instead of manually building complex node trees in DaVinci Resolve or adjustment layers in Premiere Pro, you apply your learned profile directly to the footage. This acts as a highly personalized indie film color grading software that knows exactly what you want. You retain full creative control because the AI gives you a starting point that is 90% complete. You just apply the final polish. If your studio lighting creates a specific shadow on the background, the software recognizes it and corrects it based on your past edits. You spend your time refining the creative look of your subject rather than fixing basic white balance issues.
Does the software work with RAW photos and log video files?
The software processes all major RAW image formats and standard log video profiles natively. You get maximum dynamic range and color flexibility without converting files first. When you capture a complex studio setup, you need all the data available to separate your subject from the background cleanly. We support the files straight from your camera so you never lose quality. This applies directly to your motion work as well. You drop your log footage into Premiere Pro and DaVinci Resolve, and the software reads the data accurately. It functions as a premium indie film color grading software by interpreting your camera sensor data and applying your custom color profile. You don't have to mess with complicated conversion LUTs before you start grading. You just load the RAW stills or log video clips, apply your AI Profile, and watch the colors snap into place. Your subject skin tones look natural, and your studio background gradients remain perfectly smooth. You get a cohesive look across all formats while cutting your technical prep time down to zero.
How do I keep the product colors perfectly accurate while grading the footage?
You lock in the true colors of your product by training your AI Profile on your most accurate past edits. You deliver exact color matches to your clients every single time. Product photography demands absolute precision. If you shoot a red shoe in the studio, it has to look like the exact same red shoe on screen. The AI learns how you balance the subject against the background to maintain that accuracy. When you transition to video clips in Premiere Pro and DaVinci Resolve, the software applies that same strict color logic. It serves as a precise indie film color grading software that prioritizes color accuracy over heavy stylistic filters. You don't have to worry about a cinematic grade ruining the actual color of the product. The software understands the difference between a creative background adjustment and a necessary subject correction. You review the final grade and adjust the sliders if you need to make a tiny tweak. You get the speed of AI while maintaining the strict color standards your commercial clients demand.
Can I use this to match my still photos to my video campaigns?
You easily match your still photos to your video campaigns by using the same AI Profile across both mediums. You hand your clients a perfectly cohesive media package without the usual stress. Matching a still photo to a moving video clip is traditionally one of the hardest parts of commercial work. You shoot the stills in a controlled studio, but the video camera interprets the light differently. We built our tools to bridge that exact gap. You edit your still photos to get the subject and background looking perfect. Then you use that profile in Premiere Pro and DaVinci Resolve to grade the video clips. The software acts as an intuitive indie film color grading software to align the motion footage with your still photography. You save hours of frustration because you don't have to guess which sliders to pull to make the video look like the photo. Your subject looks identical across every single deliverable. You finish the job faster and your clients see a unified brand identity across their entire campaign.
What happens if my lighting changes during a long product shoot?
The software automatically detects shifts in exposure and white balance and corrects them for you. You get a perfectly uniform gallery even if your strobes misfire or your continuous lights shift color temperature. In a busy studio, lights get bumped and modifiers get changed. The AI looks at every single image and adjusts the settings to match your anchor look. It keeps the subject perfectly exposed and the background totally consistent. This same adaptive technology works wonders when you grade video in Premiere Pro and DaVinci Resolve. If a cloud passes by a window during a natural light video shoot, the software compensates for the shift in the footage. It rivals dedicated indie film color grading software by smoothing out those inconsistent lighting changes automatically. You don't have to keyframe every single exposure shift manually. You just let the AI balance the clips, review the changes, and move on to the next task. You cut your editing time by 75% and never worry about inconsistent lighting ruining a long shoot.
How does this affect my overall turnaround time for clients?
You deliver final photos and videos to your clients days or even weeks faster than before. You get to invoice sooner and take your weekends back. Manual editing creates a massive bottleneck in your business. When you have 500 studio photos and 50 video clips to process, the hours add up quickly. By automating the color grading process, you reduce your post-production time dramatically. You apply your AI Profile to the stills, instantly fixing the subject and background. Then you move straight into Premiere Pro and DaVinci Resolve to process the video assets. Using this as an indie film color grading software means you don't spend days color matching different cameras. You process entire campaigns in the time it used to take to edit a handful of clips. The software does the repetitive work, leaving you to do the final quality check. You stay in the driver seat the entire time. Faster turnarounds mean happier clients, better reviews, and more time for you to focus on shooting the next big project.
Do I need to be an expert colorist to use this software?
You don't need any formal color grading experience to get professional results immediately. You achieve high-end cinematic looks just by applying your existing photography knowledge. Many photographers feel intimidated when they open Premiere Pro and DaVinci Resolve for the first time. The color wheels and scopes look complicated. We designed this to feel as familiar as editing a still photo in your studio. You simply select your preferred look, and the AI translates that into the video software. It functions as a beginner-friendly indie film color grading software that does the complex math behind the scenes. You focus on how the subject looks and how the background feels, rather than worrying about technical color science jargon. If you know how to make a product look good in a photo, you now know how to make it look good in a video. You stay in complete control of the final image, but you skip the steep learning curve. You expand your business into video production without going back to school.
How do I create a custom look for a specific indie film or video project?
You create a custom look by editing a small batch of anchor images and letting the AI learn that specific style. You build a unique aesthetic for every new project without repeating the manual work. Every campaign has a different mood. A bright commercial studio shoot requires a completely different look than a moody cinematic project. You edit a few key frames to establish the tones for your subject and the shadows for your background. The software analyzes those decisions and builds a temporary AI Profile for that specific job. You then apply this profile across your entire Premiere Pro and DaVinci Resolve timeline. It becomes your personal indie film color grading software, tailored exactly to the director's vision. You don't have to rely on generic presets that look like everyone else's work. You give your clients a bespoke color grade that matches their specific brand identity. You process thousands of frames instantly while maintaining the exact artistic vision you established on set. You stay creative while the AI handles the execution.
